Aretha Franklin recording at Columbia Studios in Aretha Franklin was about a month shy of her 20th birthday when she appeared for a week at The Village Gate in late February of She shared a bill there with pianist and composer Thelonious Monk , who like her was an indescribable talent — a genius, in the fullest sense of the word — recently signed to the roster of Columbia Records. Franklin, who died Thursday at 76 , solidified her unchallenged reign as the Queen of Soul elsewhere, on grander stages, typically with grittier musical backing.
Copyright - JazzStandards. A solo version from is available on Thelonious HimselfOrig. According to Thomas Fitterling in Thelonious Monk: Depending on whose version of history you believe, Williams modified the composition either very slightly or not at all. In any case, he shares credit for it in terms of copyright. Jackie Paris introduced About Christy Vaughan what are dating standards as a vocal inafter Bernie Hanighen added the lyrics.
It is now a standard part of the song. Monk first recorded it as a leader on Thai girl dating service Aras In The Round: MES QMS Integration (1 Minute) 21, Its haunting overtones are nearly tangible.
Bernie Hanighen wrote the poignant lyrics about a rocky love affair and the resulting sadness. Turner is a composite character loosely based around the lives of Bud PowellLester Youngand even a little bit of Gordon himself. Gordon received an Academy Award nomination for Best Actor in the film. It is not a direct adaptation of the book, Dance of the Infidels: Noah Baerman - Tsandards Pianist and Educator.
This repeats twice and then continues on down. The progression About Christy Vaughan what are dating standards might expect to hear would be a ii7 -V7 -I in Gb major, but Monk likes to do the unexpected, landing on chords that are more coloristic than functional. The best advice to the novice learning this tune is: Chris Tyle - Jazz Musician and Historian.
Music and Lyrics Analysis. Origin and Chart Information. More on Thelonious Monk at JazzBiographies. More on Bernie Hanighen at JazzBiographies. Let the angels sing More information on this tune Lewis Porter John Coltrane: See the Reading and Research page for this tune for additional references. The modulation, which provides some very nice descending guide-tones, is Bm7-E7-Bbm7-Eb7. The Bm7 and sating E7 are upper embellishments of the V7 -I7 V7 of IV but also serve as backdrop for the melodic sequence, providing some vivid and unexpected tonal color.
McElrath - Musicologist for Chrosty. In a group of French musicians and a Swedish reed player living in Paris came up with an interesting project. They named themselves the Anachronic Jazz Band, and the results were a musical and critical success. The recording garnered a French Sidney Bechet award About Christy Vaughan what are dating standardsand the recording itself was an engineering throwback, made in stereo with only two microphones. Additional information for "'Round Midnight" may be found in: Comment Policy Your comments are welcome, including why you like this tune, any musical challenges it presents, or additional background information.
About Christy Vaughan what are dating standards musicians, fans, whta students of all ages ar this website as an educational resource. As such, off-topic, off-color, unduly negative, and patently promotional comments will be removed.
Once submitted, all comments become property of JazzStandards. By posting, you give JazzStandards. More on This Tune. Audio samples are below the video player. Cootie Williams Thelonious Monk. More on Cootie Williams at JazzBiographies. Movement is angular; a mixture of arpeggiation, leaps, and chromatic movement in both directions.
Click on any CD for more details at Amazon. In his return from years standarfs living in Europe, Gordon shows convincingly here that he has lost none of his ability to get deep inside a ballad.
This essential recording puts the spotlight on the passionate, edgy alto saxophone of Eric Dolphy. Pepper plays alto, tenor, and clarinet on the CD with eleven other top-notch musicians. All of the arrangements are by the brilliant Marty Paich.
The tenor saxophonist played with Monk for over ten years and adapted his playing to the idiosyncratic pianist, so this stands as an informed reading of the song. Rouse also accompanied Carmen McRae on her vocal tribute to Monk. Jazz Classics Original recording,